The IAFWA Regional
Television Committee people and the “Sports Afield” staff met in Ocala, Florida
in the summer of 1981 to plan out more professional wildlife and fisheries
management segments. Shown here, left to right, front row are: Mark deLinde
(Glen Lau Productions), Francis "Curly" Satterlee (Virginia
Commission of Game & Inland Fisheries), Selda Gibbons (Glen Lau
Productions), Dick Lattimer (Fred Bear Sports Club, Chairman of the IAFWA
Television Subcommittee). Back row, left to right: Bill Brown (Wyoming Game
& Fish), Rod Baughman (Kansas Game Commission), Glen Lau (Glen Lau
Productions), Mike O’Malley (Tennessee Wildlife Resources), and John Urbain
(Michigan DNR).
CBS Hatchet Job
Then the stuff hit the fan, so to speak, before anything
could be done. CBS decided to produce a “documentary” titled “The Guns of
Autumn.” And as they went around the country shooting footage, they convinced
even hunters to participate, saying that it was going to be a balanced look at
the sport of hunting. Most people interviewed or filmed were assured by the
producer that the effort was for some bicentennial project on the “role of
hunting in America.”
(To buy this book: I Remember Papa Bear)
But Fred and I smelled a rat. And before “The Guns of Autumn” even aired, we
wired our 300 top Bear Archery dealers and all the charter chapters of our Fred
Bear Sports Club, warning them that advance information indicated that the
program was unfair in its portrayal of hunting. We also wired Sen. Herman
Talmadge, chairman of the Senate Committee on Agriculture and Forestry, and
Sen. Warren G. Magnuson, chairman of the Committee on Commerce of our concerns.
We also contacted the president of CBS and the rumored advertisers at that
time. And we contacted all of our state legislators in Michigan.
“The Guns of Autumn” aired on national television on
Friday, Sept. 5, 1975. Here’s what Nelson Bryant of the prestigious New York Times had to say about
it later: “If one were planning to portray the glories of love between woman
and man in a television documentary, then devoted the entire show to the antics
of a drunken clod in a bordello, one would achieve the same level of ‘truth’
realized in the CBS News 90-minute film, “The Guns of Autumn.”
C. Boyd Pfeiffer of The
Washington Post, wrote “‘The Guns of Autumn,’ the 90-minute CBS documentary
that purported to characterize hunting in America, should receive an award
for the ‘most biased TV reporting of the year,’ possible of the decade.”
I could go on and on with the quotes, but to sum it up,
“The Guns of Autumn” was a blatant hatchet-job on the American hunter, often
taking things out of context and generally screwing over the 20 million ethical
hunters in America,
in my opinion. From our point of view there was nothing unbiased about this
look at American hunters, nor in the follow-up program titled “Echoes of The
Guns of Autumn.”
In the meantime the Webb & Athey project got lost “in
committee,” so to speak, and nothing ever came of it. I was deeply disappointed
and frustrated, and so were Fred and Kelly. We all talked it over and decided
that if no one else in America’s
hunting community was going to do very much about it in a united effort, we’d
better get more deeply involved in the entire issue. Further, we believed that
any attack on hunting in general, was also an attack on bowhunting. We could
not sit by the sidelines and let illogical emotions ruin our fine tradition of
scientific wildlife management in this country. For one thing, we knew that the
anti-hunters would come after the smaller sportsmen’s activities first, those
that they thought were the least able or unorganized to fight back against
them—America’s
bowhunters, muzzleloaders and trappers.
Fred gently encouraged me to get even more involved on the
national level than I had been with the American Archery Council, letting me
know that my travel budget would not be a problem. Little did I know what I had
in store as a result of this quiet conversation that day in his office. By then
Fred was in his 70s and in deteriorating health, although we tried to keep that
from the public. I became his surrogate in doing all that we could to fight the
anti-hunters on behalf of all of America’s hunters, not just for our
bowhunting community. I spent the next 25 years working to fulfill his vision
of what needed to be done to preserve and protect our tradition of hunting here
in America.
Even after he died in 1988, I continued to do his bidding in this regard until
my own retirement from the conservation stage in the year 2000. He was a
wonderful mentor, and it was an exciting, albeit sometimes frustrating,
journey.
“American Outdoors”
One of our biggest frustrations came about because of the
“American Outdoors” television series. We had been approached along about this
same time period by Wally Taber, a well-known outdoor writer, lecturer and
film-maker who traveled the world hunting in exotic places and then taking his
films on the road to help support his operation. They’d be shown to sportsmen’s
groups and the like with an admission fee, and that’s how Wally and his wife
made their living. Not bad work it you could get it, doing something you loved
doing in the out-of-doors and getting paid for it at the same time.
Taber, the host of “The American Outdoors,” had a master’s
degree in biology and game management and had done post-graduate work in
fisheries management. He had also been the outdoor editor of the Denver Post.
Teaming up with Taber was a fellow by the name of Don
Higley from Chicago.
Don was an extremely creative person and had been a big game guide in Africa about the same time Fred had been hunting there.
So, in addition to his creative side, Don had that to his benefit at the time.
Don also had created and was marketing something called “Computer Football
Forecasts” that had swept America’s
television markets in the ’70s and was a very well-known feature in those days
on television. In addition, Don was the producer of “Championship Bowling,”
“World Famous Hunting and Fishing,” and “The World Series of Golf.”
Taber and Higley had come to Grayling to see us with a
proposition to help fund a 26-week one-half hour television series that Don
would then get on the air by bartering time he had available on television
stations around the U.S. They wanted to include Fred’s hunting films as part of
their program series. Fred, Kelly and I met with them and saw it as an
opportunity to get wider exposure for bowhunting, in general, and for Fred’s
films, in particular. So we eventually entered into an agreement with them. We
put up$100,000 to help with production
costs, and we started working on this in the spring of 1974.
We announced the availability of this new series in the
Spring 1975issue of “The Big Sky”
newsletter, plus in many other ways, of course. Higley and I had even taken the
idea for the series in to the National Rifle Association and pitched the idea
to them as a way to help put some positive television on the air in support of America’s
outdoorsmen and women. The NRA then put in another $100,000. We also pitched it
to our Archery Manufacturers Organization (AMO), and they, too, through The
American Archery Council, agreed to put in a like amount.
Don and I then attended a luncheon of the state fish &
game directors at the annual meeting of the International Association of Fish
& Wildlife Agencies to tell them about our new series and to seek their
endorsement of “The American Outdoors.” “The International,” as it is known in
conservation circles, was organized in 1902 as part of the conservation
movement begun by President Theodore Roosevelt, and has played a major role in
the evolution of national conservation affairs. Its officers and members
include most of the nation’s conservation leaders, plus conservation leaders in
Canada and Mexico.
I hit it off immediately with Dr. John Gottschalk, IAFWA
executive vice president and the former director of the U.S. Fish and Wildlife
Service (USFWS), especially once he found out that I was born and raised in Indiana. He had been, too,
and had even received his master’s degree from Indiana University,
my alma mater. And he had worked for the Indiana Conservation Department before
the war and then for the USFWS, eventually becoming its top man. Then, too, I
told him that my mother-in-law’s family name was Gottschalk back in Germany before
they came to this country and Americanized it to Cutshall. So we always had
that special little connection going.
Soon I met C.R. “Pink” Gutermuth of the NRA who was also
from Elkhart in northern Indiana. That was just about 20 miles away
from where I had grown up in South
Bend and where I had worked for the Juhl Advertising
Agency. Pink was the NRA president from 1973-75 and was born in Ft. Wayne, Indiana and
graduated from Notre Dame University in 1927 in my hometown of South Bend. He joined the Washington, D.C.
scene in 1945 after serving eight years with the Indiana Department of
Conservation as director of education and director of fish and game. He was a
member of the Secretary of the Interior’s advisory committee on fish and
wildlife and served on the Secretary of Agriculture’s committee on wildlife.
And for more than a quarter of a century Dr. Gutermuth was vice president of
the Wildlife Management Institute. The Institute is one of America’s oldest
national conservation organizations, dating back to 1911. He was also a past
president of the World Wildlife Fund. Both of these fine gentlemen took me
under their wings and helped me along a great deal during the ’70s and early
’80s.
Someone else who quietly gave me encouragement through all
of this work I was trying to do for the fish and wildlife folks was Seth Gordon
of California.
This grand old man even wrote a nice letter to Fred telling him what a good job
I had been doing for the International, and this kind of thing made it all
worthwhile. The highest award the International gives each year to one of its
own is known as the Seth Gordon Award and that made his kindness to me
especially meaningful.
I wanted you to be aware of all of these folks because it
was an honor for me to have worked with them and to have been accepted by them
at many of their executive committee meetings over the years. They and those
who took their places on these two key International groups were wonderful to
work with and had a great deal of vision for the future of our natural
resources in this hemisphere and in the common sense use of our renewable
resources.
We discovered that the International, too, had been
working on how they could get the positive story of professional fisheries and
wildlife management to the American pubic. They had come up against a dead end
when they discovered that it would cost between $400,000 to $500,000 for them
to produce a proposed series of four prime-time one-hour specials to get across
their message. Since the IAFWA is simply the dues-paying organization of the
combined state and federal agencies with the responsibility for stewardship of
our natural resources, there obviously was no money in their limited coffers
for such a project.
So when Don and I pitched them on it, they were extremely
interested. They referred us to what was then their small new television
subcommittee that had been looking into the possibility of getting their
message on the air. Heading that up was Ralph Bitely, the fish & game
administrator from Maryland.
It was decided that our “American Outdoors” series of stock-footage programs
could be a good first step in getting the word out to America, and
the IAFWA agreed to work with us on the project.
Fred, Higley and I, along with some of the members of the
IAFWA Television Subcommittee, journeyed to the Outdoor Writers Association of
America (OWAA) 49th Annual Conference on June 24, 1976 at Snowmass Ski Resort
in Colorado
to explain the project to them. Fred’s lungs by then were really bothering him,
at the time we didn’t know it, but it was the early stages of emphysema, and he
could not stay for the whole event due to altitude sickness and had to fly home
early. After the conference I rode back to Denver
with Chuck Saunders over Independence
Pass to catch my flight
home and had a delightful visit with him along the way as we drove over the
mountains. Before Fred left, he, Chuck and I had taken a drive up into the
mountains in the Snowmass area and we were all almost overwhelmed with the
beauty of the area.
Ralph Bitely gave a talk to the OWAA members about our new
television series and in particular pointed out to them the part that Fred and
our Fred Bear Sports Club were playing in this effort. By then I had been invited
to attend the television subcommittee meetings, would later be appointed a
member of the group, then chairman of the subcommittee, and eventually vice
chairman and then co-chairman of the full IAFWA Communications Committee. It
was all because I was representing Fred and all for which he stood. I was only
there because of Fred’s wonderful reputation with all of these fish and game
fellows over the years. They truly viewed him as a real pioneer in the field. I
was just his traveling mouthpiece.
For our Winter issue of “The Big Sky” in 1976 our lead
article was titled: “WHY YOUR HUNTING IS IN DANGER,” and the issue featured a
piece by Gary Sitton. In it he covered 25 national organizations that were bent
on curbing or totally eliminating hunting. His warning had originally run in Field & Stream. He detailed
the alarming growth of funds available to these anti-hunting organizations
where just the six major anti-hunting groups had grown from gross revenues in
1972 of $5.75 million to more than $14 million in 1973!
Now “The Big Sky” was sent to more than just our Fred Bear
Sports Club members. It also went to all OWAA members, members of Congress, the
major conservation groups, all state DNR directors, our 6,000 Bear Archery
dealers, AMO members, and many other individuals and groups.
In the meantime I got busy and took the opportunity to
write a communications plan for the IAFWA with Fred and Kelly’s approval and
input. This was well received at the International, and parts of it became a
reality in those days. As a part of the plan, I wrote copy for magazine ads in
various sizes for the individual state fish and game departments to run in
their publications and in any newspapers that would donate space in their
states. I also prepared copy for television spots for them along with an
outdoor billboard.
I also wrote a brochure for the International in 1976
giving all of the details of “The American Outdoors” series, and announcing the
new $1,000 quarterly Fred Bear Award that would be given out for the best
segment of “The American Outdoors, Phase Two,” dealing with a scientific
fisheries or wildlife management topic. These brochures were distributed across
the country by the individual state fish and game departments to familiarize
their staffs and the people of each state with this new series.
Once “The American Outdoors” series of 26 programs was
completed, including the addition of information about the IAFWA, Taber and
Higley continued trying to peddle it to potential advertisers and sponsors. And
Higley and I began work on Phase Two, which was to be a series titled “America’s
Wildlife.” This would be a series of half-hour news format programs produced in
three segments.